by Richard Downing “Too creepy for me, Shipley . . . I’m gone.” Once again, Shipley’s face had become a silent movie, a spliced choreography of twists, twitches, and tics, eyes, nose, and mouth unstuck actors blinking, pinching, and pursing from frame to frame. And his face would stay that way until he could summon that one exhaustive snort from an unpinched nose that offered release. His eyelids would then slow, modulate, his nose cease flaring and pinching, flaring and pinching, his grimace-lined lips smooth then part…
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