Featured Writing

Photo by Lhar Capili on Unsplash

By Our Gate

by Kenneth Pobo our white sweet pea  curls up and above   the top. We don’t let  the gate swing open  for fear of breaking it, no longer use the back  door until frost fells   the vine. My cousin  says we’re foolish—why  cater to a vine? Oh well,  we never did much  like her anyway. A vine  offers no opinions,  makes no demands.    Climb.    That’s what it does— and so well….

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Featured Posts

Photo by Lhar Capili on Unsplash

By Our Gate

by Kenneth Pobo our white sweet pea  curls up and above   the top. We don’t let  the gate swing open  for fear of breaking it, no longer use the back  door until frost fells   the vine. My cousin  says we’re foolish—why  cater to a vine? Oh well,  we never did much  like her anyway. A vine  offers no opinions,  makes no demands.    Climb.    That’s what it does— and so well….

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Image by NoName_13 from Pixabay

Discontinued

by Jacqueline Hyatt He likes the smell of my perfume, How it sticks to the pillowcase  Hours after I go.   He likes the smell of my perfume; He craves reminders that  He is not alone.   He likes the smell of my perfume; He has no clue that It is discontinued. 

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An Ode to My Fallen Lunch

by Jacqueline Hyatt Five minutes in line  And a credit card swipe Of $9.99, my salad was  Easily earned.  Kale and spinach,  Cherry tomatoes,  And dried cranberries  In a capped paper cup  Took a tumble when I tripped In my too-big sandals  And planted a vegetable garden On cement stairs.

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Sound River

by Dalia Davis Flames cooled by blue tones.   Rushing  foam faces burst into song groovesswinging past stones.  A jazz band of water nymphsquell fire arrows aimed for  my heart  bones. 

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Photo by Stephen Andrews on Unsplash

One of Us — I’m Pretty Sure, Anyway

by Martin FitzPatrick I turned on the car radio in time  to hear the last minute or so  of “Sweet Emotion”; then the DJ  came on and said, “Some Aerosmith here  this morning . . . one of my favorite  teachable moments of this year— I learned a few months ago that there’s  an Aerosmith cover band in Europe  called . . . wait for it . . . Eurosmith.”   Now,…

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Photo by Chad Stembridge on Unsplash

We Love You, Mommy

by Martin FitzPatrick They stand on the porch calling goodbye to Mommy,  wishing her a good day at work,  a good journey to work.   Goodbye. Goodbye. We love you.  Have a good day. Have good luck.  Don’t lose your beautiful dress.  Don’t let any of your buttons come unbuttoned.  Don’t lose your shoes. Or eyeglasses.  Don’t lose your backpack.  Or anything important out of it.  Don’t forget your umbrella.  I…

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Photo by reza shayestehpour on Unsplash

If Only

by Martin FitzPatrick If you were a songwriter, like with  singing and guitars and everything, then every time you wanted to talk about  being sad, you could say tears, and  whenever you said tears, you could say  they were falling, and then you could say  they were doing it like rain.   And if you wrote rock songs, with  really loud guitars, you…

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Image by Justus from Pixabay

The Forest of Whispers

by Mike Solo-Thomson First, I had to make an offering. Instead of easing the cork out of the champagne bottle, I sent it through the air. It cleared the glass balcony and landed in the dry, crusted earth amongst the discarded grapes from today’s harvest, left to decay back into…

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Image by Tama66 from Pixabay

Many Years from Now

by Alexander Hurla Many years from now, when I’m old and gray and my joints hurt, I’ll climb into the dark attic and pull out a box from the corner— a moldy and moth-ridden one with faded words on the side. I’ll open it—almost reverently, almost scared—  and wipe the dust from the picture of the crisp Marine uniform that used to…

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Image by sahinsezerdincer from Pixabay

Fifty/Fifty

by Alexander Hurla We’ve talked about dividing things. “Right down the middle,” we’ve said. “Fifty/fifty.” But how can we split things when you’ve touched everything that’s mine, and I’ve made my mark on everything that’s yours? 

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